ROBERT MATEUSZ MARCINIAK
OPHANIM series, 2019 - NOW
Ophanim have been widely understood either as angels, elements of God's chariot or extraterrestrial beings. Their biblical presence, filtered through the lenses of innumerable interpreters, has attracted communities of theorists who consider their account to be prima facie evidence of the earliest UFO sightings. His art is fuelled by certain humorous notion he finds in that ambiguity and inexactness.
A R T W O R K S
B I O G R A P H Y
Robert Mateusz Marciniak, b. 1991 in Częstochowa, Poland
Portrait of Robert Mateusz Marciniak by George Kanis
Robert Mateusz Marciniak, born in 1991 in Częstochowa, Poland is an Athens-based artist drawn to ceramic craft due to it’s unique way to operate in the realms of art and design.
His intent is to push the capabilities of ceramic craft reflecting his enthusiasm for abstract forms, infantile illusions and synthetic artificiality in both texture and colour. His work often aims to conceal marks of handmade context in hopes to question the technique, material and categorisations of the objects. The recollections od his religious childhood, as well as, exposure to Catholic church practices are translated into his work. His sculptures focus on the subject of Ophanim, mostly known in jargon as ''biblically accurate angels''.
In his practice, Robert engages in a delicate balancing act in which the character, materials, and shape of his pieces are simultaneously recognisable and mysterious. His use of precious metals and marble stones evokes recollections of the construction of Catholic altars and chancels. The symmetry in his sculptures represents, for him, the recognition of order, the order that appeals to our intellect and hence to our sense of what is beautiful. His work is a plea that the artistic medium can help one to reestablish a connection with one’s faith.
P R E S S
E X H I B I T I O N S
Milan Design Week 2022
June 9 - 12, 2022
Installation view photographed by Sean Davidson
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